The answer was in this book I had discovered, and I could find out if I bought it.  So I did.  I read, with promises all the way through to reveal the answer, but, you guessed it, IT NEVER CAME.

I felt so totally conned, and whilst the author promises and promises, never delivers.  But I still had the question.  So I decided fine, I'll do it myself.  I have rudimentary music skills and a thing for numbers, so it wasn't difficult to find a start.

I had no expectation of what I would find, if I would find anything.  I devised my way to translate it based on simple mathematics.  Tones or sounds, like colours and light, are all frequency and can be represented by numbers.  

Before I confuse you with more details, I will show you the end result - then it will be easier to explain by what you see.

Frequency is sound and light, and some sound can be seen visually - it has a colour.  

I have added colour to this to remind that frequency is everything, light, colour, sound, and numbers - it all forms geometry and structure of some sort, whether it is visual or audible or not.

The end result of my number conversion and expansion / translation to 3 digit numbers was 81 frequencies.

Of those 81 frequencies, 9 were the already known Solfeggio frequencies.  All 9 x 9 numbers, in many mathematical patterns. I had not only discovered the original 9 known ones, but 72 other unknown ones.  All these fitted within the 111 pattern, as was also described by the 9 Solfeggio tones.  81 numbers, NOT 9.

There was pattern in there appearance and frequency and every where I looked their was another pattern.  The table of the numbers forms patterns horizontally, vertically and diagonally, in addition to the 111 pattern and if these are tabled by the other patterns, the same patterns keep repeating.   

1st bar.

2nd bar.

3rd bar.

4th bar.

5th bar.

6th bar.

7th bar.

After all the translations of the numbers and phrases and the mathematical analysis for other patterns and formula, I continued to do what came next, and that is apply these frequencies to elements.  Again I set about to just gather the information then compare it later.  

I spent many hours studying elements and atoms and their orbits and characteristics.  There where 2 elements listed on the periodic table that I omitted due to them being not naturally occurring, nor stable.  As such I concluded that elements like this are reactionary factors of other elements, produced by their interaction for a brief split second then disappear or change into something else.  

I also selected to cut off the elements at a point where they were becoming man-made or unstable isotopes.  In reality their is only one element, and that is hydrogen, the rest all come from hydrogen, so in a sense all the other elements are isotopes of hydrogen - they all just have different reactions and form into different chemical compounds from hydrogen.

By the time I had finished studying the elements, and translating the latin from base cuneiform, and the notes into number frequencies, I had many things to match up - but did they?  Amazingly when I finally calculated out the 81 numbers, I also had 81 elements.  Coincidence!   I did not plan or manipulate the data, I just hoped it would match, after the weeks of work.  But I had to know.  The more I matched things up the more I realised why my querky ways at doing things worked, which seemed odd even to my normal understanding, but insistent upon at a deeper level because failure to do so would not be accurate.  I can't make Zero something it's not, just to fit my theory.  The data had to match my theory, not the other way round.  If the data didn't match, then my theory was wrong.  And it required many mathematically purities before I accepted, after not being able to exhaust them all, that it was finally correct.

You see, the translation had to meet the requirements of expressing an ever growing and expanding frequency and dimension of life, an infinity, always growing out of itself.  But that's not all the hymn had to express, it also had to express the binary nature of our existence, that is duality, polarity, negative and positive.

I followed the numbers and the phrase translation helped as well, but understanding 1-3, 4-6, and 7-9 as levels of creation was crucial, as was Zero.  It was a relatively easy thing to find the opposite polarity within the hymn and the frequencies, but would take pages to explain.  It related to other information that I had already translated from the Enuma Elish and the formula I see in the cuneiform tablet and the symbols themselves.  That is another article.  Needless to say that I produced another set of numbers from the 3 sets of emanations I saw expressed within the construction of the 81 frequencies.  One for example is that every 81 frequencies is divisible by 3.  Every 3 number frequency value further reduces to either a 3, 6 or 9.

I am reminded that Tesla said that when you understand the 3,6 and 9, then you have understood 'the secret'.  Well it is a secret no longer.  3, 6 and 9 in it's many forms appear in the 81 frequencies as well, such as 369, 396, 639, 693, 936, 963 - all six of them expressed.  And here is Tesla's 3,6 and 9, the keys to the universe and all frequencies.  Bold statement you claim, but it's true - the hymn is what it is, and it is a never ending source of information.  I know it's difficult to believe, you look at a piece of sheet music with a few words and think, are you kidding?  No, the music was scripted, to produce exactly what it does, with all the right notes and order of notes.  People who knew much more about this knowledge than me coded this information in the structure of the hymn, and I must say it is brilliantly coded, because who would ever think it holds what it does?

I also am fully aware that without my special understanding of numbers and Zero, then there would have been no balance.  I did not go back and edit any results to make them fit.  They all came together as is.

Below is the 81 frequencies with their opposite polarity binary system numbers, which form from a centre axis of 1Zero4 (and that is not one hundred and four, but one zero four, all singular).  Zero is Source springing forth infinite potential, creating binary points of 1 to 4 out of Zero - in all 4 directions.  This is an initial foundation before it further expands out into the 32 directions.  These reactions are quantum particle reactions and form the basis of the columns in grey (it is a 2D mathematical representation of the 32 direction points, as mentioned in the translation below this.  

The top heading starts at Zero - but can go indefinitely before that, or as we might understand it, into the negative.  Originally I only extended the translation to 9, but I took it further to ensure the pattern would hold, and it did.  Past the 12 is infinity.

As these frequencies build out, they create matter and dimension.  The field of range of the dimension is within these 81 numbers (from Zero to 9) - as all after that are repeating the pattern, just at a higher level and slightly different 'tone'.

The numbers you are looking at in the table above - the top 1-1-1 represents the more accurate value, and the 111 is the number reduction value.  Note also that Zero and 9 are the same number reduction, but if you look at what comprises that frequency you will see that 9 is a higher representation of Zero.  

Zero is a special number, but I can't call it that, because it isn't a number.  It doesn't mean zero or nil, it means the opposite, Zero means the potential of infinity.  The numbers under the Zero column represent the potential of infinite creation.  As they build out, in blocks of 3, it accumulates in the 9, which is a completion of all that has come, and it is also the base for the next level to build upon.  As a complete block of 9, there is a base for another infinite creation to be built upon that.  This is why 9 and Zero have the same vibration, because they both represent a potential to infinitely create.  However 9 has been built upon, and thereby it is a slightly different construction of the frequency, but still part of what it came from - 111.

You will notice if you look at the above table that some number reductions don't add up.  This is because of the special quality of Zero, and it couldn't be used in the final translation because it misrepresents the value.  This I did as I calculated the final numbers, not knowing if they would balance or not, as they are randomly everywhere as the notes express them in the song, so it takes some analysis to quantify them.  

Ensuring I expressed the number sets correctly and Zero's qualities, I stuck to my intuition and instinct, about leaving the Zero out, and not counting any that have Zero's in them.  I have tried to explain this concept several times but I struggle to put it into words.  I will attempt to do so again further down, because understanding Zero is crucial to understanding it all.

As a result, in the final number I had to ensure I didn't follow my natural instinct to count 9, 10, 11.  None of the numbers containing zero are actually numbers, but symbols of completion.  If you understand the Tarot, then you will understand that 9 is the final completion, and 10 is just where you have it to do with what you want.  10 doesn't represent anymore of a creation, but a potential to build upon in another level.  10 actually tells you that one set of 9 has been completed, and is the base for the next 0, Zero, or creation.  Likewise 20 tells you there are 2 sets of 9 completed and now this base is ready to build upon in the next, and so on into infinity.

If I can compare it to something simple like making a cake.  From 1-9 you prepare the ingredients and utensils, follow the method and cook the cake.  When your cake is baked and ready you are done, it's a 9.  Now to express the choices you have with that cake you call it a 10 - do you eat it, freeze it, give it away, whatever your choice, this is the potential of infinity offered in the Zero of the 10, with your completed cake.  When you start to think about what you are going to do with that cake, you start in the next level on 11.  As you decide to eat it then you are at 13, a completion of some kind.  But that's not it, because the cake is now inside you and processing, and that's 14-16, now it's ready to be eliminated and off you go to the toilet, that's 17-19.  And you think it's done - no.  The toilet has flushed your 19 and is making it 21 as it's heading towards a sewerage treatment plant.  Okay, I think we'll stop there, I think you get the message!

Everything is about cycles within cycles within cycles.  It's the nature of the universe, and it all is creating energy, frequency.

Our understanding of Zero is likewise as confused as our understanding of black and white.  Black and white don't exist.  Zero is not nothing, it's everything.  As you see, our words contradict their meaning.  We say for something to exist we need to see it in black and white, or they don't exist.  Colour exists, and tones and shades, but there is no black or no white, only colour - and that too, is the nature of the universe.  As long as we are misunderstanding these basic concepts we can't grasp higher realities that these are but a part of.   

In the above table the 9 known Solfeggio frequencies are highlighted in purple.  When you look at numbers containing Zero in the grey columns this is Zero with number combinations from 1-9 coming from Zero.  These are not numbers in the hundreds.  The numbers down either side, or next to Zero, indicate quantum particle activity, their combinations and what they manifest into.  A more visual, and probably familiar representation of the above table, is shown in the image below.

This is our galaxy, the Milky Way Galaxy, and it has the same toroid field as the Earth.  As above, so below, as in the biggest, so in the smallest.  We are also a torid field, with both polarities.  I would like to expand on the concept of wholeness here, and explain that both polarities exist in the same space.  One polarity is not off somewhere, while the other does it's thing here - they occupy the same space.

The translation of the phrase reveals the creation story, as expressed through the music and the bars.  Again each phrase was translated as it describes itself, without expectation of how it fits to another phrase or anything else.  Once complete though the simple sentence of phrases reveals much more detail of creation, and very much in line with the Enuma Elish.

You might well not see the connection between Latin and cuneiform, but all written language is derived from ancient symbols, and their root is in cuneiform and other symbols.  Latin seems to express the written form of the ancient cuneiforms, for me at least.  I have also studied languages and structure for many years and have a 'feel' for it overall, and it's origins and significance to humanity.

If my understanding was so off base, then the Hymn would not contain mathematical purity and infinite patterns, and the phrase would not reveal a story of creation.  I would not discover the already known 9 Solfeggio frequencies, and the subsequent related 72 not mentioned, and the opposite polarity vibrations as well.  And both the ancient stone tablets and the hymn refer to the same creation.  The bible tells a fairy tale compared to the physics of these misunderstood ancient wisdoms. Likewise the commonly known translation of the Enuma Elish is a fairy tale, compared to the real knowledge these ancient symbols hold.  It is the epic of creation, but not as the fairy tale described - as formula, composition and structure, showing how things come into being, and from what - as creation constantly flows from Source, or Zero.

My translation of the first phrase alone is larger than the whole common translation.  My translation is an abbreviation of the symbols, which contain far greater depth in there meaning than can be portrayed.  This translation is basically an overall 'feel' of what is being expressed, but is far from complete and all encompassing.  A brief!

This hymn is said to contain the sacred 9 Solfeggio frequencies.

My question was simple - does it?

The 162 frequencies above enable the ability to distinguish one polarity from the other, of the one toroid field that occupies this space around us we call a solar system.  Just out of phase is our binary opposite partner.  I might also point out, just as I have mentioned 162, that this number also relates to the number of lines in the tablet of the Enuma Elish I translated, which as stated before, is more like formula than the common translation.  The hymn and the Enuma Elish are describing the same thing, except the Enuma Elish has more detail of the actual quantum interactions and how they form and what they form.  Cuneiform does it with the simple geometry of a triangle and a straight line.  Merely another way of representing notes, sounds, light, numbers, frequency, wavelength and form.  

As particles form into larger particles, they change their basic geometric structure - and everything that is, has geometric structure, the foundation of all things is structure, or as the Bible describes it, order.  Without structure there is de-struction, or chaos.  But this supposed chaos is not a bad thing, it is the initial outburst from Source, before geometry and structure is created by the particles interaction, which then slows them down some, and they can start to coalesce, form, and create order and structure.  These are quantum particles, poorly described by mainstream physicists today.  They would disagree with my un doctored opinion, but they'd be wrong.  What they understand privately, that they don't tell people, and how they can get a quantum computer to work, is based upon different particle physics than what is commonly known or taught,

The cuneiform and the hymn express common physics properties.  Both express a formula of creation, of particle interaction and combinations, in many different directions.  And you might ask what good is knowing all this?  If I haven't pointed it out clearly enough yet, the common 9 Solfeggio frequencies are short 72 frequencies.

The internet has become awash with Solfeggio tones and frequencies and people are aware of it's power.  What I am saying, they are using 1/9th the creative potential of the tones.  81 Solfeggio frequencies, not 9.  162 opposite polarity frequencies, not 9.  The person who is the author of the book, who supposedly translated this hymn, not only lied about revealing how he translated it, but if he did translate it, where are the other 72 numbers?  If I got the same 9 numbers in my results, then why didn't he, and where are the other 72?

Like so many, I sense they are merely releasing information and given credit, rather than really discovering something themselves.  I believe it is impossible for the author of the book, who translated the hymn into the 9 Solfeggio frequencies, to have not discovered the other 72.  Did he translate it or copy it?  Did he know of the other 72 and lie?  Going by 2 promises he made to reveal how he discovered these things, he didn't - one is in a weightloss program and the other is with the hymn, and both sales pitches to reveal answers at the end, was just a sales pitch.

It is important to understand this concept, as with a binary system, the orbit of that system isn't a matter of distance in space, but vibrational quality that occupies the same space. Our binary system partner occupies the same space as ours. It doesn't orbit in and out as we understand it, but more phases closer to our reality and then out again. This is the cycle, that occurs in the same space, but at opposite polarities. And as you can see from the table above, the difference between opposite polarities isn't as great as you would think. This is also why dimensional barriers are breaking down, why the veil is lifting, and why Earth is going through unprecedented change.